SERVICES & RATES

I'm a flexible guy, both in terms of my services and the rates I charge, but just to give you a flavour of where I am pitching myself, check out the options below.

01

Commercials DOP/Camera Operator. No kit

You want creative lighting that gives your production Hollywood gloss? Check. If it's someone who can operate any type of digital camera? Check. If you require a skilled operator who can capture difficult unpredictable action first time. Check. Working closely with producers and directors I can tailor a shoot to capture your vision and suit your budget , and you'll be saving monet too because you get 2 for the price of one!

02

With Red Epic Kit & Camera Assistant/DIT 

 

I have a stake in a Red Epic kit that is just waiting for your production. Imagine up to 5K resolution, 300 fps slow motion and a set of super fast Red prime lenses. This brand new kit comes with 4 LED lights, sound kit, a glidetrack and a minijb and Dig facilities. if it's good enough for 'The Hobbit'...

03

DSLR Commercials with kit. 

Commercials on micro budgets? Quality does not need to be sacrificed! Get top results with my DOP skills allied to my  Canon 5D MkIII, complete with sotfbox lights, glidetrack, flycam  and dig laptop. Includes sound recording and slowmotion options. I can even give you stills at the same time!

04

DSLR Non-Broadcast with kit. 

Want something filming? No problem. Give your corporate, music video or whatever,  the cinematic treatment . Get top results with my DOP skills allied to the Canon 5D MkIII kit, complete with sotfbox lights,  glidetrack and flycam  and dig laptop. Includes sound recording and slowmotion options. I can even give you stills at the same time!

05

FCP Editor/After Effects Operator 

Need a quick, accurate and talented FCP editor?..Why not throw in an After Effects OP who can do motion graphics and grade as well? Oh, and  someone who is used to sound mixing TV ads for maximum impac? plus DVD studio pro, plus photoshop plus Adobe Premier Pro... Oooh missus! 

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© 2016 by MATT RISHTON